Escaping
from Burning Buildings by R. Sonist.
2. Asleep
in your rebuilt house, you dream of meeting a dead author. But not in a creepy stalkerish
way, so you shoo Mr Poe out of the kitchen. Instead, you sit down and have cake
with which dead author?
Robert
Benchley. He does a whole routine about the cake. His ghost is transparent, adding
to the mirth.
3. Would you
name six essential items for writers? If, you know, cornered and threatened with
torture.
This question
AGAIN. How many times can the same writer answer this by not answering? Six essential
items? Carpet, for lying on. Lockable door. Key to lockable door. Short fingernails
for typing. Long nights. The sense of not having enough time and knowing the time
should be filled with writing anyway.
4. Who’d win
in a fight between Count Dracula and Frankenstein’s monster? If, you know, you were
writing that scene.
Spartacus.
5. It’s the
end of a long and tiring day. You are still writing a scene. Do you see it through
to the end, even though matchsticks prop your eyelids open, or do you sleep on it
and return, refreshed, to slay that literary dragon another day?
I throw
myself bodily from the window, landing atop a passing carriage. There, on the roof,
I do battle with the minions of Professor Moriarty. It is possible to throw yourself
astrally from the window. That’s only useful if fighting ghosts.
6. You must
introduce a plot-twist. Evil twin or luggage mix-up?
Atomic
bimbo. Marginally less dangerous than the atomic bomb.
7. Let’s say
you write a bunch of books featuring an amazing recurring villain. At the end of
your latest story you have definitely absitively posolutely killed off the villain
for all time and then some. Did you pepper your narrative with clues hinting at
the chance of a villainous return in the next book?
The atomic
bimbo has the knack of surviving anything I throw at her. Oh, come on, audience.
You are making your own jokes up now.
8. You are
at sea in a lifeboat, with the barest chance of surviving the raging storm. There’s
one opportunity to save a character, drifting by this scene. Do you save the idealistic
hero or the tragic villain?
If I save
the atomic bimbo, does that make me evil?
9. It’s time
to kill a much-loved character – that pesky plot intrudes. Do you just type it up,
heartlessly, or are there any strange rituals to be performed before the deed is
done?
If this
happens in January, I take the pine tree down.
10. Embarrassing
typo time. I’m always typing thongs instead of things. One day, that’ll
land me in trouble. Care to share any wildly embarrassing typing anecdotes? If,
you know, the wrong word suddenly made something so much funnier. (My last crime
against typing lay in omitting the u from Superman.)
In promoting
another author, I almost wrote Time for a sex sighting of Suzanna Williams.
You have to go a fair bit out of your way when typing a second sighting to
get that wrong.
11. I’ve fallen
out of my chair laughing at all sorts of thongs I’ve typed. Have you?
I recall
writing of Suzanna Williams. More than
that, I dare not say, for lawyers may be summoned.
12. You take
a classic literary work and update it by throwing in rocket ships. Dare you name
that story? Pride and Prejudice on Mars. That kind of thing.
The
Solar Wind in the Willows.
13. Seen the
movie. Read the book. And your preference was for?
Cold weather
over hot.
14. Occupational
hazard of being a writer. Has a book ever fallen on your head? This may occasionally
happen to non-writers, it must be said.
Yes – 847
times.
15. Did you
ever read a series of books out of sequence?
I’ve never
started with the middle chapter.
16. You encounter
a story just as you are writing the same type of tale. Do you abandon your work,
or keep going with the other one to ensure there won’t be endless similarities?
All references
to unicorns are removed from my files. Including that reference. The word unicorns
was added by the computer, in place of unicorns.
17. Have you
ever stumbled across a Much-Loved Children’s Classic™ that you’ve never heard
of?
The
Silence of the Lambs.
18. You build
a secret passage into your story. Where?
Inside
another story. Have I given that answer already? I’ll do another answer. In the
sole of the giant’s boot. Unless Jack climbs the beanstalk to battle a barefoot
giant. Need a better answer. Inside the telephone. Modern telephones are so tiny,
there are NO electronics inside them. True. So there’s plenty of room for a secret
passage.
19. Facing
the prospect of writing erotica, you decide on a racy pen-name. And that would be…
20. On a train
a fan praises your work, mistaking you for another author. What happens next?
The bride
keeps walking, ripping half her dress off.
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